I Found my Marbles

Today I'll show you my recent explorations into fabric marbling, but first let me show you what I did yesterday. It's become a tradition for a friend and me to go to Fiskars Village every summer (yup, that's where the world-famous orange scissors were born) and look at Finnish art and design, and to enjoy the yummy cakes at Petri's Choclate Room. (The cakes are prabably the main reason we go there, to be honest...)

Jealous?

Then let's return to the subject of marbling fabric. I've wanted to try it for some time, but haven't had the right equipment. Then I found some instructions that made the technique sound super easy, and I had a go. The only things you need are fabric, silk paint, wallpaper glue, and a flat-bottomed pan (dedicated to crafts). You mix the glue, pour it into the pan, drip silk paint onto the surface, make swirly-whirly patterns with e.g. a toothpick, lay down the fabric over the paint, lift the fabric immediately, scrape off the excess glue, let it dry, heat fix the paint, and rinse the fabric to get rid of the rest of the glue residue.

However. Things that sound easy-peasy are usually not as straightforward as they seem. It will take a bit of further experimentation before I'm 100 % happy with the results. But having said that, I am pretty pleased.

Below are pictures of the process. What surprised me the most when I started was the way the paints behaved. I had expected them to float out in a wide circle, like I've seen in other people's videos. But not with this technique. The paint drops stayed pretty much were they landed, and spread slowly in a lichen-like fashion (Swe: som lav):

I was pretty taken aback at first, and didn't quite know what to do. So I just aimlessly dragged my toothpick through the paint shapes in the hope of enlightenment.

Interesting, but far from what I had expected. So I tried adding a bit more paint, if that would encourage the paint to flow out more.

Nah, it didn't behave the way that I wanted it to. I felt pretty disappointed. But as they say, if you can't beat them, join them. The paint had obviously a mind of its own, and I would just have to play according to new rules. So I filled the whole surface with lots of paint drips, and dragged the toothpick through them in a much tighter pattern, and that's when magic happened:

This was a whole new ball game, and I was finally getting excited. Next, I tried to make spirals:

Gorgeous! More spirals!

What I now need to figure out is how to get stronger colours. I don't know if it's the scraping away of excess glue that causes it, but the colours on the back of the fabric are much stronger than on the front:

 

I guess I could use the back as the right side, but the pattern is less well-defined on the back, so I'm hoping to find a way of boosting the colour on the front. There's obviously more experimentation to be done, but I feel I got pretty far already. Something which felt pretty disappointing at the start turned into something really exciting. That's what makes the creative process so rewarding, isn't it? You never know what fabulous discoveries hide behind the next corner.

Thanks for reading this far, and see you again soon! - Annika

Lazy Days Calling to You

My first week of vacation has flown past with mixed activities. In the first half of the week I did quite a bit of decluttering. One of my bookcases was overflowing with stuff, so I took care of that, and I threw away heaps of paper. I also spent time drawing. I did my first page for The Sketchbook Challenge, where I decided to use dragons to illustrate the four elements. I started with water. You can see the page on Flickr, where I’ve created sets to organise the stuff that I upload. In the set called ‘An Object a Day’ you’ll find the objects that I draw for each day I’m on vacation. I’ve managed to follow the rule to draw an object every day so far, even though it has meant that I’ve had to draw late in the evening, on a shaky train and after a glass of wine. Drawing every day, even in funny circumstances, makes it more spontaneous, and counteracts my need to create masterpieces every time I put pen to paper. I used to draw all the time when I was younger, but the habit dwindled down to less and less, and for a number of years I didn’t draw at all. I wanted to, but felt totally helpless and blank as soon as I had paper in front of me and a pencil in my hand. Worst of all: it had become too much of an effort to draw –  too much work, too demanding, to much pressure. Crazy Days. I decided to upload my pages to Flickr, because it helps me stick to my plan. It makes it more difficult to cheat.  ;-)

 My travel sewing kit, drawn on a shaky train journey

 

However, by Wednesday I was starting to feel a bit desperate, because I didn’t feel that I was really enjoying my vacation. The days were like any old weekend where I potter around the house. (I can have weird reactions in the beginning of my vacations. I’m sure there’s a psychological term for it…) I decided to take a train and visit a good friend in Snappertuna on Thursday. She met me at the train station and we set off to Fiskars Village. Those of you who use Fiskars tools: this is where it all started! Check out the cakes we had: 

Divine! This is when I felt that my vacation really started. Later we took a walk and ate wild strawberries that grew along the sides of the road. It was a great day.

On the train I started working on a shibori project. I was very inspired by Sue Cavanaugh’s article ‘Extreme Shibori’ in Quilting Arts Magazine (December 2009/January 2010 issue). I decided to try both the mokume and the ori-nui techniques in the same piece and prepared a piece of cotton beforehand:

In mokume you sew stitches through one layer of the fabric (red thread), whereas in ori-nui you fold the fabric and sew stiches through two layers along the folded edge (white thread):

This is what the fabric looks like when all the areas have been filled with stitch. The ori-nui stitches distort the fabric even before you start pulling the threads:

The treads are pulled and the fabric is ready for dyeing. It looks like I’ve created a little shrimp, doesn’t it? I’m quite excited about this technique, but I’ll have to wait a week or so before I can continue, because I’ll be out and about a lot.

Right now I’m back in Ostrobothnia, where my partner Jarkko and my parents live. I’ll stay here for a few days until Jarkko’s going fishing to Lapland and Mum and I are going off to bonnie Scotland. When we return from Scotland, I'll probably stay in Helsinki and then I'll get out those Procion MX dyes that I'm burning to try again.

We went swimming yesterday, but the water was too brown with humus for us to even consider snorkelling. We need to go by boat to the outer parts of the archipelago to find clearer water, but I suspect that the water is considerably colder there. I do miss swimming in Thailand. The warm, clear water and the funny, cute and handsome water creatures that I met there. Um.. speaking of funny creatures...

We had a little uninvited (but not unwelcome) guest the other day:

I almost stepped on this young cat that had snuck unnoticed into Jarkko’s flat through the open door to the backyard. It was extremely friendly, unafraid and curious, and made itself very much at home here.

It tried Jarkko’s keyboard, but it left the mouse alone.

Here, finally, is a sneak peak of my next project that I’m preparing for the next train journey back to Helsinki. More about that later.

A bag full of fun.